In my research into the nineteenth-century short story, victorian periodicals, of course, interest me. At present my work focuses on the popular: first Dickens and his All the Year Round Christmas numbers and, later, the appearances of Conan Doyle’s Holmes in the Strand Magazine. It made a helpful contrast, therefore to consider Slow Print: Literary Radicalism and Late Victorian Print (Stanford: Stanford University Press, 2013). Elizabeth Carolyn Miller explores the fin de siècle radical press from William Morris, through the socialist theatrical turn, to theosophical socialism and sex radicalism. An illuminating read featuring fascinating writers. Want to know more? Take a look at my review for Media History here.